Elations Recordings presents "Depois do Silncio", an intimate, forward-looking acoustic bass, digital keyboard and synthesiser recording by Brazilian avant-garde jazz luminaries Zeca Assumpo and Lelo Nazario. This release celebrates almost fifty years of t
Elations Recordings presents “Depois do Silncio”, an intimate, forward-looking acoustic bass, digital keyboard and synthesiser recording by Brazilian avant-garde jazz luminaries Zeca Assumpo and Lelo Nazario. This release celebrates almost fifty years of the duo’s friendship and musical affinity, continuing a musical dialogue between long-time collaborators. The duo began working together with Hermeto Pascoal’s “Grupo Vice Versa” in the mid 1970s before forging one of Brazil’s most adventurous experimental jazz groups “Grupo Um” in 1976; releasing three albums with a shared avant-garde and lateral, exploratory approach to sound fusing jazz and contemporary synthesis with expanded and prepared acoustic playing.
“Depois do Silncio” reflects the duo’s long development of a shared conception of music, resulting in a work that is both timeless and modern. The music on the album was primarily recorded in Nazario’s UTOPIA Studio, So Paulo, in 1994, featuring Assumpo on acoustic bass and Nazario on his newly acquired Ensoniq TS-12; these recordings were supplemented with acoustic bass for “Quintal da Memria” in 2018 and completed with an additional layer of rich, complex analog and virtual synthesis following their rediscovery of the material in 2022.
Assumpo’s deeply expressive acoustic bass playing forms the backbone of these compositions, augmented by Nazario’s expansive and exploratory approach to synthesis, its constantly shifting timbres “making music a living organism, which adapts to situations as they appear.” Nazario explains that “although the themes are written, much of the music is improvised based on an organic development of ideas, all intertwined and interrelated exactly as happens in a living organism”.
The album title “Depois do Silncio” (After Silence) references a phrase by the writer Aldous Huxley; “after silence, that which comes nearest to expressing the inexpressible is music”. Assumpo and Nazario continue a search for new forms of musical expression, and here they succeed in creating music that “expand[s] the sound of musical instruments, so opening new horizons in the minds of listeners”.
1. Depois do Silncio
2. Estilingue
3. Sistema I
4. Sistema II
5. Jogos Sonoros
6. Quintal da Memria
7. Tempo ao Tempo
8. Pensando Baixo
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