On Gut Buster, Yosa Peit spawns fleshy sonic escapades, a swarm of vigorously processed vocals and soulful bass, set to a backdrop of visceral percussive structures. Full of roguish curiosity, the record is cast with an air of lo-fi experimentation, but with a platinum glint of pop sensibility. Peits second album grapples with the destructive force of modern consumption, Gut Buster is an anti-capitalist battle cry that syntheses intimacy and hostility; a surrealist-punk affirmation and a testament to Peits singular vision and unique approach.

The free-ranging sound of Yosa Peit recalls the intense arrangements of a cyber-era Prince with the surrealist tones of Arthur Russell and early Bjrk. At the albums core, World Eaters unleashes scorching guitars in search of humankinds end, I was born on a planet, I got hungry and I ate it.

Even in the face of planetary doom and personal obstacles, Yosa evokes our propensity for mischief, humor and pleasure. bb moon processes sound solely from her bass into wicked oblivion. CALL ME, a song about friendship, chews up its anthemic melody into a gnarled strut worthy of an A$AP Rocky production, while HAD3S urges us to find balance, nodding to the mystical fuzz of Prince. Yosas work has been called personal, punk, poignant, deep yet her genre-defying production, as textured as it is catchy, escapes definition.

Gut Buster takes that collective playground for creation to planetary reaches, congregating friends from Berlin, Cologne, and New Yorks fuzzy musical underbelly: Employee, Funkycan, Gerry Franke, Glenn Astro, Nauker, Paingel, Tbz, and UCC Harlo. The record was mixed by Brainfeeder affiliate Benjamin Vukelic in Portland and Jan Brauer in Berlin.