The Glitch Princess, Nat Cmiel, is a non-binary, London-based Singaporean painter, musician, performance artist, and cyborg entity. Via an affinity to noise music and its subculture, Cmiel created a genre-specific style which yeule is known for – glitch and distortion.

“Glitch Princess” opens a channel to the in-between spaces: error messages and broken computer code, what it is to be conceptually manifested and the curation of the aesthete. Cmiel’s experiences with sobriety resulted in a flood of emotions and Glitch Princess is the undiluted excerpt of this downpour. A redirection of chaotic energy into verse and the opportunity to confront their own vices. Soothing un-melodies rest comfortably among the jagged edges of feedback loops. Video game scores, experimental shoegaze sounds, alien-like pitched vocals, and ethereal whispers come together to build a complex underworld with the occasional erratic dance beat to guide users deeper into the fever dream. It is an album of in-between spaces, straddling sweetness and death, with the understanding that the two will always be tied to each other. yeule invites us to transcend into a post-human world where expression is no longer bound by identity, but rather we are free to assemble ourselves along lines of affinity.