The innovators of Electro-Hip Hop are back! Franco-Californian duo, AllttA (French producer 20syl + American rapper Mr. J. Medeiros) emerge from their five year hiatus to take on the stage! After their 2017 debut The Upper Hand and sophomore following Facing Giants (that same year), AllttA returns with Curio Part. I, the first installment in their two part experiment on Electro and Hip Hop: a soundscape theyve co-created while bending and pushing both into their own AllttA image . This Curio experiment of sound in motion will be hitting the road for a tour that will begin next fall.

The Electro-Hip Hop duo consisting of American rapper Mr. J. Medeiros and French producer 20Syl took an at all cost – no fear attitude when creating what might be the future of Electro – Hip Hop or at the very least a defining moment in the sub-genre.

CURIO Part II is AllttAs second release from their two part album, CURIO Part I & II and as its name declares its: a rare, unusual, and intriguing object. In all aspects of CURIO you can see, feel, and hear the symbiosis of digital and organic life – the artificial intelligence and the human touch, a relationship which has never been so relevant as it is now.

Even material that didnt make the record, a tune titled Savages, a jaw dropping sound experiment where AllttA used A.I. in a manner which shook the Hip Hop world at the highest levels of stardom, allowed the duo to insert a musical perspective into this world wide debate on the human relationship with technology. If this tune did not make it on the record – imagine what did

CURIO Part II is where AllttA defines itself with confidence, class, and a level of creativity seemingly lost in an oversaturated market of express musical branding. Songs like Honorificabilitudinitatibus and Victim take the listener into a genre splitting, epoch bending, mind and sound experience. Shakespearean like word play followed by stacked one-man choruses give you the impression Queen snuck in while distorted analog bass rings violently before morphing into sweet – pensive harmonic tones.