Originally slunk out on atape edition of 125 copies in 2011, Pakistan Military Academy sees Dominick Fernow calibrate his night-vision goggles to scan the most potent, affective visions of dark ambient and militaristic techno in his war chest. At the time of release, only months after the capture of Osama Bin Laden by US Army SEAL Night Stalkers, the project really came into its own as a form of impressionistic reportage, daring to grasp the nettle of contemporary US geopolitics in a way that, as music and art history will only make starker, everyone else broadly avoided at the time.

In place of literal lyrics, a mix of quotes from newspapers and official government communiques, together with evocative photo documentation, supply the song titles and narrative/aesthetic framework for what are essentially abstracted emotions related to American military and foreign policy. Depending how much you read or buy into it, for us at least the music rarely fails to evoke the shadowy unease and precarity of that era, as the sound betrayed an underlying moodthat also spoke to the realignment of borders between musicks and socio-economics.